Miró's oft-quoted interest in the assassination of painting is derived from a dislike of bourgeois art, which he believed was used as a way to advertise propaganda and cultural identification amid the wealthy. Exclusively, Miró responded to Cubism in this way, which by the time of his quote had turn https://www.triptales.me/discover-the-artistic-and-historical-marvels-of-barcelonas-museums/